![]() Therefore, I will deploy individual case studies. ![]() I will draw on Actor-Network-Theory as a methodological framework as it provides an approach that tries to avoid presumptions that inform the analytical descriptions. As a result I will show that there are no single privileged sources of agency but rather chains of translation that involve humans as much as non-humans. ![]() My work collects original publications by participants and critically relates them to each other and akin areas of film production. This field has gained a new relevance as a forerunner to contemporary digital effects and image processing, a fact that in part also explains the marginal presence optical effects in existing scholarship. Drawing on a wide range of new archival material, my dissertation presents previously unknown reasons for the developments of different techniques of image compositing such as traveling mattes, color-based processes, rear projection, and optical printing. ![]() It identifies and focuses on optical effects as a practice of montage within moving images as opposed to the montage of like images in time. This dissertation provides a historical account of a previously neglected field of moving image production.
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